Armchair Walkers

 
  • Armchair Walker #8 – Fields of my Youth


    … is not only a lovely William Blake poem, and a tremendous novel by Glyn Hughes, but a phrase that takes me straight back to my childhood playground, the flat green floodplain of the River Severn. Jane and I went walking there yesterday, a day of high blustery wind and tremendous rolling cloud in a blue sky. We set off from the Red Lion at Wainlode Hill between Gloucester and Tewkesbury, a big old red-brick riverside pub on a bend of the Severn where the river surges had sculpted out a tall cliff.

    Some brilliant faces here:
    https://www.redlionwainlode.co.uk/pub-history/

    The landlord once told me that he remembered as a young boy going into the cellar there and being absolutely dumbstruck at seeing the floor covered in shining silver. It was a mass of salmon, caught in the Severn and stored in the old pub before being sold.


    My chum Roo and I used to fish and fool around on the beach under the tall cliff hollowed out by the surging of the river round the bend. How we didn’t drown ourselves I can’t imagine – it’s a very dangerous spot, full of backwaters and eddies and submerged trees washed down by the very strong current. We didn’t see the hazards back then, of course.

    A couple of miles north through the meadows by the Severn, some freshly cut, others thick with tall grasses. A hop over a hummock of hill at Apperley, and we were wandering the paths of Coombe Hill Meadows Nature Reserve, with the long smooth line of the Cotswolds along the eastern skyline and the Malvern Hills standing out like a miniature mountain range in the west. All here is flat, lush, squelchy and packed with life. Swallows, swifts and martins zoomed about like fighter pilots over the meadows and pools, chasing down insects. The old canal that once linked the Severn with the Midlands, long abandoned, was lined with meadowsweet and tufty rockets of intensely purple loosestrife. Dragonflies hovered. The day was too wild and windy to see the hobbies and peregrines that hunt the reserve, but there was a sort of brisk pleasure in facing the wind as it teased the reed heads and thrashed the willow leaves till they whitened and turned inside out.

    I’m so thankful to have been a child in the 1950s, when one was expected to be out of doors and away over the fields all day, ranging widely and getting into a lot of mischief. Roo and I knew our particular portion of these soggy lands as the Big Meadow. They were flooded most winters, mile after mile of King Severn’s invasions, and in fact they still are. We were chased up a tree, stark naked, by cattle after swimming in the canal. We chucked stones at ‘water rats’ (i.e. water voles), we broke down fences, we shared stolen ciggies and rude words, and once we beat up an old bus that we found parked in the bushes. Mea culpa, mea maxima culpa! All we wanted was to have rowdy outdoor fun. If we’d known that these were Lammas meadows, traditional farmed for hay and famous for their wild flowers and clouds of lapwing, snipe and geese, we wouldn’t have cared less. But I’m glad I know now, and I’m double glad to see them restored to health and richness by the Gloucestershire Wildlife Trust after decades of chemical pesticides and fertiliser had reduced them to sterile silage factories.

    https://ww2.rspb.org.uk/groups/gloucestershire/places/320842/

     

     

     

     

     

     

     

     

     

     

  • Armchair Walker #7 – Morgan’s Hill and the Bloody Ditch

    We went to walk east of our village where the landscape turns from craggy limestone hills to long downs of chalk and greensand, moulded by rain and wind into a gently rolling, green and white countryside.

    Near the start we came across an all-too-familiar scene – a mile or so of pasture through which the footpath ran unmarked over neglected stiles, to pitch up at a done-up farmhouse where the right of way passed across the farmhouse garden. An unguarded electric fence blocked access to the gate leading into the garden, where all signs and waymarks had been removed, to give the impression that there was no right of way. We hollered for the owner, who first sent the dog out, then somewhat shamefacedly emerged from the house and admitted that, yes, the path did cross her garden. No apologies for the electric shock we got crossing the fence, however!

    It’s been very noticeable in recent times how many rights of way have been obliterated or obscured, waymarks and signposts removed, and obstacles erected around nice country houses whose new owners have done the properties up to the nines and decided unilaterally that the rights of way they accepted when they bought the house can be quietly abolished. Poverty of resources at County Hall has led to the laying off of many of the county Footpaths Officers whose job it is to keep our wonderful and unique network of paths open by making sure that householders and landowners do toe the line about maintaining access. The Ramblers organisation do the best they can – and we walkers are the best weapon they have in the fight to preserve what amounts to an irreplaceable national treasure. Keep walking those paths, folks! Rant over!

    Up on the downs the views were breathtaking, far north to the Cotswolds, far south to Salisbury Plain. John Morgan was an unfortunate felon hanged for murder on these downs in 1720, and his name lives on at Morgan’s Hill, now a nature reserve where we picnicked among pyramidal orchids, yellow rattle, scabious and blue butterflies.

    From here the Wessex Ridgeway took us south through a long valley where I was thrilled to see a corn bunting on the barbed wire fence between fields where oats and beans and barley grow. A stout little bird with a streaky breast, increasingly rare as its habitat and food sources have come under pressure from modern pesticides.


    The homeward path led over Oliver’s Castle hillfort, where in 13 July 1643 an army of Parliamentary soldiers was routed by Royalist cavalry, many of them pursued at a panicky gallop till they tumbled in a terrible heap of men and horses down the steep face of the downs into the cleft known now as the Bloody Ditch.

     

     

    No such awful scenes on these slopes today – just marbled white butterflies, bee orchids and lesser butterfly orchids, and of course the sky-filling songs of larks.

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

  • Armchair Walker #6 – The Crayfish of Ironmaster’s Vale


    The woods are full of secrets, and it’s taken Lockdown to give me eyes to see them. If it hadn’t been for these remarkable times and their constraints, I don’t suppose I would ever have taken such a close look at the map, day after day, to spy out these tangled webs of purely local walks. What a delight it has been to focus in on a knoll or cleft or patchwork of fields, and realise that my own countryside is still a mystery and an enticement.

    Ironmaster’s Vale runs east/west, a very twisty and narrow stream hollow that’s not quite a gorge, and not a valley either. Sunk in here among the trees are the ruins of an iron-grinding industry – arches, walls, spillways, sluices and old rotten beams thick with ferns. Limekilns and millstones, caves and quarries.

    A footpath meanders through the vale, with side turnings leading off through the nettles and butterbur. The narrowest and least noticeable of these unofficial trails leads to a most remarkable quarry wall, a concave sweep of grey carboniferous limestone about 350 million years old canted at a steep angle, with a cap of buttery yellow oolitic limestone lying horizontally on top where it was deposited about 180 million years ago. A geologist’s thrill, and a questioning mind’s delight.

    Two boys were dipping for crayfish in the stream. They had caught one apiece, lobster-like creatures about five inches long that scuttled round the bottom of their bucket. These white-clawed crayfish, natives of Britain, are threatened by an invasion of American signal crayfish, which are bigger and tougher. The newcomers also carry a plague to which our chaps have no resistance.

    So crayfish have their worries, too.

     

     

     

     

     

     

     

     

     

  • Armchair Walker #5 – Russet Mere and Monk’s Kitchen

    Leaving the village early on a hot windy morning, we skirted the west end of Quarry Hill. Ash dieback disease has got a firm grip of the young trees here, and is reducing them to pale skeletons in the wood. On the far side we crossed the dry yellow pastures of Dragondown where the cattle plodded one after another towards the shade of oak trees now turned as dark as iron by this two-month drought.

    In the quiet green valley of the Russet Mere stream beyond Dragondown, a private revolution is taking place. The old knockabout farmhouses, beautifully sited but long neglected, have been bought up and spruced to the nines. The former dairying pastures of poached slopes and tough grass have been transformed into wildflower meadows thick with buttercups, knapweed, clovers and silky grasses with lovely names – Yorkshire fog, cock’s foot, crested dog’s tail. Aspens in stout tree guards, rustic park fencing and carefully signed paths all point to new influences, welcome ecologically, but oddly troubling too. At what point do the economics of everyday farming fall below feasibility, obliging the old farming families to give way to well-heeled conservers of the countryside?

    Food for thought as we wandered the path through these delectable meadows and up to the strange gritty outcrop called Monk’s Kitchen. From here a really wonderful view down over the track of an old railway sneaking round the foot of Quarry Hill, and out across fields and woods to a prospect opening over the distant coast and the Quantock and Exmoor hills beyond.

    The path to Holdfast Farm below had been impenetrably blocked with a crop of wheat. Damn you, farmer! We pushed our way along the field margin ploughed and sown right up to the spiky hedge. Hmm, yes, old style farming ahoy!

    Up on the rise beyond we stood looking down on our neighbour village with its tall grey church spire, roofs and trees – a classic English view in early summer.

    In a quiet green valley beyond.

     

     

     

     

     

     

     

     

  • Armchair Walker #4 – Milling Vale

    For ages I’d had my eye on a path that loops north from the village to reach the crest of the hills. We finally tackled the walk on Sunday, and I can’t remember a more beautiful woodland trail, up through dense woods of ash, beech and oak, in dappled sunlight all the way. What I hadn’t bargained for was the secrets hidden in the undergrowth.

    Just off the narrow path, among shoulder-high grasses and wood sage (and stinging nettles, now in flower), we found a lime-kiln, essentially a beehive hut with a corbelled stone roof of ingeniously overlapping stones that hold each other in place. Still in place was the stone lintel of the doorway, the hole where the lime rocks were piled in to be burned to powder on top of a fire, and the grid and furnace chamber. We sat inside in the cool shade, speculating on the lime burners and their toxic occupation.

    Further up, the narrow valley was lined with stone walls, very mossy and tumbledown. Occasionally the valley bottom widened, and it was evident we were passing through old dry mill ponds and leats of channelled water that once drove a fulling mill or a paper mill, a vibrant and busy little industry now gone and forgotten.

    There was no sign of the stream itself, till we arrived at the spot where it came trickling out of the trees, sank into the stony bottom and vanished underground. From here on up to the top the stream was a chatty companion, running under little bridges and across rocky shallows. A grey wagtail came flittering down onto a stone to bob and flirt its bright yellow underparts. It teased my camera finger, always staying just out of reach behind dangling foliage and sticks, till I managed to squeeze off a shot as it pattered away out of sight.

    The old milling valley, once loud with mechanical thumps and human voices, is now a quiet woodland of birdsong and insect hum. Another metamorphosis has overtaken the nearby former ‘County Asylum for Pauper Lunatics’. The hospital’s ornate red limestone buildings, designed by George Gilbert Scott, have been transformed into a beautiful housing estate. Looking down from the homeward path at the old hospital and the milling valley beyond, bathed in evening sunlight, cattle grazing the outskirts, these transformations seemed quite remarkable.

     

     

     

     

     

     

     

     

  • Armchair Walker #3 – The Bird Spa

    On the northern edge of the village, the short steep lane called Stony Sleight demands a bit of care. The surface is rubbly and irregular, with ribs of exposed reddish rock halfway up. You stumble and stub your boot toes as you climb, you skid and slither on the way down. But it’s a short way down from the hills to the village, and a favourite singing spot for birds towards nightfall.

    In these strange limbo days of lockdown, walking has taken on a curious sheen of intensity. One’s eyes and ears seem double-focused on the details of grasses and leaves, the timbre of bird song and the shapes of the hills. Corners of the woods and fields that I had taken as read demand that I stop, look and listen, rather than powering on by with the next skyline in mind. There’s an acute pleasure in this slower and denser tempo, once you surrender to it.

    I’ve known of the old stone-lined sheep dip near the top of Stony Sleight since I was a boy. I must have trudged past it a hundred times. But until a few days ago I’d never turned aside to open the gate, sit on the bank and simply watch.

    There must be a spring in the bank or the sheep dip itself, because the level is pretty constant, a few inches of dull bronze water with a muddy margin and some stones and rocks. Leafy ash branches swing low above the pool, offering concealment. Flies and midges are always circling over the water. In short, it’s a perfect place for birds to take their regular baths.

    I’ve stopped to watch the evening ablutions of the birds several times this week. The first on the waterline is generally a blue tit. A coal tit with a black waistcoat has been a regular. Other bathers have included a great tit, a robin, and a young and wary thrush. Last night at the sheep dip there was a chiffchaff with a dashing piratical stripe through its eye, and a female blackcap with a pale chest and velvety brown cap. They all follow the same ritual – a hasty duck of the head to begin with, then full immersion, splashing the water all over themselves and sending up rainbow-tinted showers of droplets, washing off dust, dirt and miniature parasites before flying up into the hanging foliage to preen and smooth their feathers.

    It might be anthropomorphic to suggest that these little songbirds revel in their sheep dip shower-baths, but that’s exactly what it looks like.

     

     

     

     

     

     

     

     

  • Armchair Walker #2 – Off Grid in Dragondown Wood

    Quarry Hill looms on the skyline to the south of the village. A steep climb up, and we have the hilltop to ourselves, a humpback plateau of thin grass over limestone where the last of the early purple orchids are bowing to the inevitable. We savour the moment in an absence of traffic roar from the all-but-deserted valley road. We sit and stare round the compass, north over the village to the snaky curves of Slippery Lane, west over the massive dark red face of the old quarry and on down into a place apart, the green vale of Dragondown.

    The vale lies under Quarry Hill, and a dragon lies under the vale. So the old story says. Anything or anyone could be hiding in those dense old woods that cap the slope beyond. Massive thistles grow six feet tall there, their multiple heads packed tight, defended by collars of formidable spikes.

    A wandering path climbs in among the trees, and as it dips we find ourselves ankle deep in wild garlic whose flowers are beginning to droop in the shade of the canopy. A little spring issues from a cleft among the garlic, trickling along channels between miniature walls of rounded stones placed there by hand. Who could have the time and involvement to create such a water garden? We get our answer down in the heart of the wood when we spot a cluster of canvas tents and round wooden houses deep among the trees. No flimsy benders, no moth-eaten shelters here. These are proper dwellings stoutly made and carefully maintained, with a cookhouse, a pond and amphitheatre seating. These folk are not campers, but permanent residents of Dragondown Wood.

    Birdsong pours through the trees, a green light dapples the path as it winds behind the settlement. On a summer’s day like this, off-grid living looks easy. In a freezing wet February it must be all about grit and stubbornness. Hats off to anyone who can genuinely live this way.

    On the upland beyond we meet a bunch of young White Park cattle with black noses and long curvilinear horns. They snuff our fingers and sneeze explosively. Good job the virus is only for human consumption; not one of the heifers has a hankie.

     

     

     

     

     

     

     

  • Armchair Walker #1 – Three Hares Field


    From the crooked elbow of Slippery Lane you can look back over the village and the valley. It’s a view that never palls in any season: the red and grey roofs, the chimneys and windows among their trees, and on across the flat country to far hills, Quantocks and a hint of Exmoor, pale blue with distance against the sky.

    It’s a fight for life in the verges of Slippery Lane. The flowers have left the season of yellow, primroses and celandines, and they are slipping out of their blue attire too, bluebells and violets. Now crimsons and whites are all the rage, tall red campion shooting up two feet tall, racing for the light against the delicate white fretwork of cow parsley – gypsy lace, the schoolchildren used to call it, and maybe still do. Snakes of spineless bryony twine round anything they can find to support them in the hedges.

    This Time of Covid is a curious mix of curse and blessing. The plug has been pulled out of the socket. No engine roar, no tyre swish from the valley road. No cars climb Slippery Lane, poisoning walkers with their diesel farting. Birdsong seems twice as loud, the woods seethe with insect hum. No con trails in the abnormally blue sky. And a tantalising spring of unbelievably sunny days in a long straight line.

    Halfway up the hill we glance over a gate and are struck stock still by something we’ve never seen here before – three brown hares, great fat fellows, twitching their black-tipped ears in the lush unmown grass of Long Field. They face one another like cats, socially distancing, but only just.

    A chiffchaff has been getting his declaration in order down in Valley Wood. Chiff-chiff! Chaff! Chiff-chaff-chaff! Chiff-chaff! Now he stows his gab, and there’s just the fat hum of a bee in the campion and a rustle of grasses in Long Field – Three Hares Field, it will be from now on – where the hares crouch and lollop, nibbling the stems and measuring each other up, indifferent to our little existence.

 Posted by at 17:30